Agency Exec: Radio Reps Lack Training, Some Are Lazy

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Our week-long series on the love-hate relationship between radio and advertising agencies has stirred up quite a discussion. We’re hopeful it’s been fair and balanced and that each side is learning about the other. On Thursday, we reached out to Ashley Chase from Independent Brands, an agency in Oklahoma. Ashley’s been following the discussion and agreed to an interview.

First, some background on Independent Brands.

Independent Brands is a full-service marketing firm that specializes in local retail businesses. Currently, Independent Brands is retained by Route 66 Chevrolet, Route 66 Nissan, Bob Hurley Ford, Bob Hurley Chrysler Jeep Dodge Ram, Bob Hurley RV, and Advance Alarms.

In existence since 2004, Independent Brands was started by Michelle Howard in Oklahoma City. Michelle has over 20 years of advertising agency experience in everything from media planning and buying to account service and management and all phases of commercial production services. At Indy Brands she fills the role of Chief Marketing Strategist.

In 2016, Ashley Chase joined Independent Brands as Senior Marketing Consultant. Ashley has over 10 years of sales and advertising experience. Her expertise is in developing brand awareness for customers who have little or none, leveraging media partners for multi-layered promotions to benefit her clients, media buying, scriptwriting and directing, new business, social media planning and management, and all aspects of digital marketing.

Here’s our interview with Ashley on the topic of radio.

Radio Ink: What are your thoughts on the ongoing debate you’ve been reading about on our website this week?
Ashley Chase: It’s been intriguing! I’ve been really tuned in because I understand both sides of it. The one thing I will always caution radio managers or owners to remember is that, there are always options out there. I don’t HAVE to buy your stations, there is usually a way to buy around anyone. So just as agencies are accused of buying on ratings only, I can accuse stations of resting solely on ratings. That won’t always get you the buy.

Radio Ink: Why is their such a disconnect between radio and agencies?
Ashley Chase: This is actually an easy question for me to answer, because I was guilty of it. I don’t think radio reps and managers understand what truly goes into running an agency. I think the idea that we get 15% commission for doing “nothing” is commonplace among radio stations. I was one of them! I used to think “Is it really that hard to call me back? Even if the answer is no?” The sad reality of my job is that, yes sometimes it really is that hard. If the answer is no, or I’m not doing business with you, then you are low on my list of priorities. I’m busy putting out client fires or placing buys on the stations I am doing business with etc. Especially with the way we run our agency, we do it all, so I’m always writing scripts, negotiating, working on cause marketing for my clients, placing buys, or pulling research. The list goes on and on.

I also think there is a common misconception that agencies don’t like radio and only want to run on TV because they make commission on TV production. If your agency is running on TV just to pad their pocketbooks, they are failing miserably. We only do what is best for our clients, end of story.

Radio Ink: Why do agencies ask for value added?
Ashley Chase: It is our job as the agency to get the client the most for their money, no matter what that looks like. This does not mean we don’t see the value in your stations, we absolutely do, but when I’m sitting in front of a client who is giving us hundreds of thousands of dollars to spend, I’m going to make sure I get them what they deserve. This also doesn’t always have to be spots! Too often a rep thinks that some bonus rotators are what I’m looking for, and that’s not always true, I just need to help my client stand out. How can you as a station help me do that?

Radio Ink: Are agencies only interested in ratings and buying CPP?
Ashley Chase: Absolutely not. Do ratings matter? Yes and no. I understand that when I’m looking at ratings it represents a very small portion of my market, so I look to many other factors when making my buying decisions. I like ideas and creative ways to make my clients stand out. I want large-scale promotions that integrate my clients with the market and the causes that are near and dear to the clients and stations alike. When I’m looking at ratings, quite frankly, I’m looking more at cume and TSL depending on the client. I’m trying to find the listeners in the most efficient way possible and then connect with those listeners.

Radio Ink: Why are agencies slow payers?
Ashley Chase: I can only speak for my agency, as this is a bit of a presumptuous question [laughs]. I usually get the station invoices by the middle of the following month and then begin the auditing process which can take some time. Once I am finished auditing and comparing to my buys, I then send the invoices to the clients to pay directly. We do our very best as an agency to make sure nothing is paid past 30 days. My guess would be, most agencies are waiting on the client to pay them first which would cause a delay, but that’s just a guess.

Radio Ink: You used to be in radio, when reps call on you, do you get the feeling they are properly trained?
Ashley Chase: Not at all. I’m fairly fortunate to have a few good reps, but I also have some pretty bad ones and have been called on by some pretty bad ones. The training process seems to be non-existent, honestly, and I can speak from experience on both sides of that fence. I believe that too often managers don’t want to train, they don’t want to put the time and effort into someone the way they should. I believe we lose new radio reps way too often because of lack of training. I saw it first hand at a station group, the AE would spend their first week watching training videos and was then immediately thrown out there to start selling. I’ve even seen managers get angry with new AEs when they make mistakes, mistakes that could be avoided with proper training. The turnover in radio could be much lower if training was a bigger priority. There’s also a horrible misconception that if an AE has been in the business a long time, they don’t need training. I think it’s the exact opposite. The radio world, the TV world, and the advertising world are ever-changing, so why wouldn’t you be training to keep up with those changes? I’ve also seen managers delegate the training to “seasoned AEs” and expect them to do the training for them, which would be fine, I suppose, if those AEs weren’t working a list and trying to hit budgets of their own. If I were a radio station owner or GM, I would have a dedicated trainer position for AEs.

Radio Ink: Should the radio reps go direct to the client and develop relationships there?
Ashley Chase: Absolutely! With the permission and respect of the client’s agency. I have no problem setting up meetings with reps to meet with my clients. I understand the importance of that, and I also understand that things change and if my agency (god forbid) was fired tomorrow, those AEs need that relationship. However, I expect my AEs to discuss with me first, let me set up the meetings so the client isn’t bombarded with reps, and to respect my relationship with the client.

Radio Ink: What is your biggest pet peeve with radio reps?
Ashley Chase: I absolutely hate it when a radio rep tries to sell me a “sales package.”  If in your Monday sales meeting your manager hands you a “package” to sell, before you come to me in the hopes that I will buy it, ask yourself if it makes sense for my client. I want a radio rep who really understands what makes my clients tick and what makes me tick as an agency.

Do your research first, find out what the client is passionate about or is already involved in and then come up with a unique idea that can complement what we are already doing well.

Handing me a “sales package” is just lazy. I also can’t stand scared sellers. If I come back to negotiate with you, don’t just drop the price $10 per spot, for one, that just makes me mad because you should have given me the lower rate to begin with.

Radio Ink: How do radio sellers develop a great relationship with an agency?
Ashley Chase: I think it all comes down to respect. Respect my time, respect the relationship I have with my client, and respect the end game. We ALL want our campaigns to be successful for the client or they won’t keep us retained or spending on your stations. We are not the enemy, we all have the same goals here. Listen to what our needs are, ask us what our expectations are of you, and then follow through on everything we need and expect out of our reps.

I will add this one thing that goes back to the training piece of radio. This could very well be just a Tulsa market issue, but I see it time and time again and even saw it when I was a radio seller. Radio stations have too many tenured employees. There are far too many lazy AEs that are just working a list, that is not growing. I used to tell my managers, can you imagine if you took a $800,000 billing list and split it into two lists… give each $400,000 billing list to a new HUNGRY AE and watch them grow those lists by $250,000-$300,000 in a year?

Can you imagine the growth of a radio group? I almost doubled my billing in my first year of radio by selling over $350,000 in new business and before radio I sold door hardware! I was always in sales but not media. I think managers are too afraid to look outside of the industry for the tenacious, hungry, hard workers. Don’t be afraid to lose an AE who has worked for you for 20-plus years but consistently goes backwards in billing. You will never grow if you are afraid.

Ashley Chase can be reached at [email protected]

13 COMMENTS

  1. What Ashley wrote today (via interview) was spot on, well thought out and was so incredibly honest about how this dynamic between radio and agency works.

    I loved the package comment – when people hand me a package without asking questions about the client first, I throw it in the trash. Immediately.

    One size does not fit all – lazy – yes – truth. Well said Ashley.

  2. I worked for a station that a “package ” might be good one minute but changed as it was put out! The owner would decide to up the price. OR ” this package is a remote when you sell it you MUST up sale and also get a talent fee.. This turned me off and I would not put a customer in that “Bait and Switch” routine. After seeing how it was done at 2 stations in Springfield,MO I have decided radio is nothing more then a “USED CAR DEALER” of ethics. I have no doubt better stations train staff and not make a sales person do al the things but master at nothing. This station has all the talent but al the politics that keeps the staf to work as a team. The sales manager ducks all questions and leaves as fast as he can. And when sales staff gets a few sales they have a imaginary budget to met. And when they fire 30 year talent and the customer pulls the ad,The staff gets the blame. The entire management team is a failure. I have seen the best of talent and sales department ruined by inept management and owners.

  3. What a week this has been for comments!
    The last decade has been a tough one in that many media companies slashed training budgets in the recession and have been slow to add them back. In addition, many radio companies rush to hire a body without really knowing what they need or taking the time to find the right person. With multiple products and platforms to sell and buy these days, both sides need to be much more educated than when many of us were doing the job (I was a media buyer and a radio seller/manager so speak from experience). It is essential to have highly trained reps on the streets. We are seeing new models for the sales team emerge and I think they will ultimately help radio offer a stronger sales process for the agencies. The broadcasters who are open to change, who invest in solid, on-going training and who offer a strong work culture will win.

  4. This agency topic has been answered before. The only reason it is discussed again is because the radio industry avoids changing to accommodate the customer (and an agency is a radio customer).

    Something I wrote in 2013, which includes a January 2012 quote from Radio Ink. Notice how reader comments then resemble much of what is said today:

    “Bill Koenigsberg is the President, CEO and Founder of Horizon Media, one of the largest independent media agencies in the world.”

    Radio Ink continues: For what seems like decades, radio has only been able to muster up about 7% of an advertiser’s budget. So we asked Koenigsberg what it was going to take for radio to increase that number.”

    Mr. Koenigsberg, literally, gave a road map to the answer: ‘I think return of investment proof and engagement proof is critical. It has not been followed by radio. But that’s not important now.'”

    What you need to read are the comments made by those in the radio industry following his answer. These are typical:

    1) ‘No need to reinvent the wheel. Everything that you need to know about radio success is available by studying what was successful in the past.’

    2) ‘But radio is intrusive! It’s the advertisers who need to reinvent themselves…’

    Each response is an example of dismissing the new audio reality” and why this agency-radio discussion is still with us.

  5. Ultimately any and every agency wants to avoid risk. The risk of making a tactical error with their media strategy and mix which would result in lower ROI for their clients. It is our job as media professionals to demonstrate that our products not only fit the needs of particular clients but our track record of success is one of the most powerful tools in our arsenal of resources…perhaps even more effective in some cases than the reams of audience and behavioral data. Have the confidence to share with the agency other “like” clients within their category and the types of campaigns, scripts, and scheduling that has produced long term confidence in radio. Take the risk out of their decisions and you will see greater success.

  6. While the buyer is important it is the supervisor or planner you need to get to. I get more out of playing dumb but professional. I deal with the rankings and ratings everyday. I lose out most of the time because buyers just don’t get the underlying advantages of low or no ratings. I like to use the old reach and frequency tool. Works most of the time. I use spill out as well. This article was very good read. It will help me.

  7. Why reading Ms. Chase’s remarks one would think the typical Ad Agency Executive was a cross between Mother Theresa and Pope Francis.

    Many of her comments are literally laugh-out-loud funny; notably that agencies are “absolutely not” only interested in buying ratings or slow payers on purpose.

    As for her remark that obnoxious demands for value added are only in the spirit of getting the client the most for their money; it’s strange that TV, Print, Billboard, Digital etc. are never hammered in the same way radio broadcasters are for free stuff. OR-that oddly the end client typically doesn’t dole out free “value added” to THEIR customers to give them “the most for their money.”

    Respect? The agency world has precious little for Radio Broadcasters and we experience it every day.

    The only thing I can agree with in Ms. Chase’s comments is the deplorable state of training for most Radio AE’s today.

  8. There are a lot of lazy sales reps. But there are an equal number of lazy media buyers and planners. There are plenty of buyers who won’t discuss strategy with sales reps. Most planners aren’t available to meet or discuss plans.
    A good agency coupled with a good rep is the key to a client’s marketing success.
    If both sides improved, it would be a win for everyone.

  9. After the great debate…
    The ultimate winner between agency and radio?
    Hopefully neither.

    It needs to be:
    Our clients.

  10. This has been an insightful series; both humbling and encouraging to read. I can appreciate the multiple perspectives in the articles and comments, and hope we all come out better for it.

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