Study: The Best B2B Audio Buys Don’t Sound Like Business

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Buying where every other B2B advertiser is already buying may be wasting B2B podcast budget. New sales-based data points to a smarter approach: choose proven winners, spread spend across genres, and stop ruling out categories that don’t sound like business.

Oxford Road frames the lesson as “a buyer classification, not a content strategy.” The agency’s latest ORBIT analysis, “ORBIT’s Top Performing B2B Podcasts,” draws on sales results from campaigns representing more than $2 billion in advertiser spend.

Treat genre as a starting point. The top 15 shows span eight categories, including comedy, true crime, and society and culture, so a show’s genre doesn’t predict whether it works for B2B. Oxford Road says genre fit is reasonable for a first pass, but advertisers should move to proven shows when building the media plan, since buying every show in a genre is less efficient than buying the right ones.

Shortlist business shows, then diversify. The business category produced three winners but performs below average overall. Oxford Road recommends choosing a few proven business shows and spreading the rest of the budget around, since customers listen to all kinds of shows and concentrating spend in a genre crowded with other B2B buyers hurts a campaign.

Narrow the tech field. Three technology programs landed in the top five, though the genre is only slightly above average for B2B. The agency’s advice is to stay curious about tech shows and use ORBIT to narrow the options to a few cutting-edge picks.

Don’t blacklist news. The number one and number 11 shows are news programs, and Oxford Road says B2B brands that exclude the category risk missing top performers. The agency’s approach is to buy the best news shows and skip the rest.

The full list and methodology are posted on its website.

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Cameron Coats
Cameron Coats is the Editor-in-Chief of Radio Ink, overseeing the publication's monthly magazine and daily headlines. Previously a morning show host and programmer, Cameron also served as regional creative director and was a Radio Mercury Award finalist.

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